Australian/New Zealand Luthiers Forum

I machine the bridge blanks on a small micromill. The CF presented no problems. I wear a dust mask. I use 3K 5.7 oz plain weave fabric. (Sorry about the imperial measurement.)

I take some from the top and some from the bottom (including the radius) until I get the thickness that I want. I am considering simplifying my classical bridges. Like the steel string I will include a 1mm bridge patch and a layer of CF fabric under the the braces. When I make the bridge I will sand...

Thanks guy! The guitar was French Polished. I have been spending a bunch of time learning how to sort of play Flamenco guitar. I might find a real teacher.

This is my first Flamenco Guitar built following the Paco Chorobo video class offered by Robbie O'Brien. It was a fun course to follow as it include a lot of slide visits and interviews in the Spanish flamenco community. Paco Chorobo is an outstanding flamenco guitar builder and a wonderful flamenco...

I have never seen that with shellac even from heat. It seems like on the way to refinishing you can try and sand it out. I have used behlem qualasole for repairs on top as it sticks to nearly anything and can be padded on. I have done whole tops with it and it builds quickly and looks great. I think...

Whoops,

you can always hit the capture spectrom button and after the buffer fills it will open a window that should allow you to open a file. That is one of the ways I get a window.

If you want to open a .tee file (waveform) On the bottom right hand control panel, I select the more tab and then spectrum.

In general do not look at the amplitude of the peak as your test setup really is not accurate in terms of relative peak amplitude. It is really showing you the locations of the resonances on the frequency spectrum. The resonance frequency values and bridge rotation are better indicators of stiffness...

I have a bit of trouble answering a question about "the Gore method" as I think it mischaracterizes the Design volume as it is not a method book. Also the Design volume is not about "Gore type guitars". What is taught in that volume has a lot more inclusive has more depth and is more applicable than...

If the side template\profile is correct and the are sides cut very close to the profile and the waist is bent in the correct place, one can have the sides very close to the correct size and radius with minimal sanding by driving the bus.

Thanks for your comments on the website. As you see I photo document all of my projects. I think that a lot of the big (factory) boys, have a bunch of parts made to pretty exact dimensions and assembles guitars from those parts in a constant way. The parts are probably sized to hit the center of the...

When I read your three choices, from your descriptions it seems like there is only one choice. "1". I never understand when i hear that Siminoff is more doable than processes in The Book. I read 'The art of tap tuning" and watched the DVD that came with it. There is no prescriptive method and in the...

Here is a video my guitar instructor Doug Rice tring this guitar. His main guitar now is one of my falcate classical guitars. Here is his description of the sound he hears from this falcate bracing pattern. " Their superb basic tone color and resonance, especially their high overtones presented a ha...

I do have spectrum graphs of the tap for this and the Osage Orange guitar I posted last week. You will see they are very close. The Pernambuco has a sound port which accounted for the higher Air resonance. I am not sure what the cutaway does to the air resonance T(1,1)1, I do know the sound port wou...

My last complete instrument for a short time (I promise.) It is just that I had two going on and the scheduled Ukulele class. In any case this is a "Contemporary Classical" Guitar. I get it, an oxymoron. The basic body shape is a Hauser 37 with the cutaway added. The contemporary features are a bolt...

I held off giving my own from my hind side comments on blind listening tests mainly because of where I am pulling them from. Here goes ... Part of the context for my point is that humans are not like a microphone and a computer, we do not hear reality rather we have learned through evolution and in ...

J Of the bridge I notice that you have quite a lot of saddle showing. Is that due to trying to keep the bridge mass down? And I see that you haven't gone for the twelve hole string tie. I rather like it for the good and more regular break angle though I still have to think quite hard when putting o...

I strung up the guitar a few days ago. I properly set up the guitar today. I do not have any post build modal tuning I will do right now as the spectrum plot T(!,1), backed up with strobosoft are 93 Hz - 190 Hz and 244 Hz As this one's for me it kept be pushed to the back burner for other commission...

Paul Henneberry wrote: ↑

Mon Apr 15, 2019 12:57 pm

Hi John,
nice looking uke. Just out of interest what strings did you originally have fitted?
regards
Paul

Aquila Nylgut strings. I switch to D'addario strings Titanium strings.

In the pictures it looks pretty good. I mostly like to leave the finish looking off the pad so that people will know it is french polished, I have no ridges when I am finished but it is a different look than leveled with sandpaper (which also looks very good). I do three wash coats (just pad it on) ...

I had my first teaching\mentor experience; Lily an 18 year old girl in a one week ukulele course for her senior project. What a trip building an instrument in a week is way faster than I even make them. It turned out nice, and after fixing the neck resonating exactly at 392 Hz cursing a horrible wol...

Thanks Allen,

I did calm down, I went over the instrument fixed a few unrelated things, One change that might have helped was close to the nut the neck was a little squared off so I took that wood off to match the rest of the neck and I went to a different brand of strings. Sounds good now.

I had a niece build a tenor ukulele in my shop. We ended up with an interesting wolf note on the high G string or the A string tuned to a G. Actually a little flat or a little sharp no problem. We put strings on the Uke and strung it up with the neck clamped in a vice as shown in the picture and all...

Thanks Peter, On your first post I had trouble imagining what the control would be. I appreciate your detailed explanations. My understanding from your comments is that without the control, testing with instruments that clearly sound different, we have to assume or be convinced that their methodolog...

....The poor ability of guitarists to discriminate under blinded conditions between guitars with backs and sides made of different woods suggest that back wood has only a marginal impact on the sound of an acoustic guitar . I question the study not so much for the scientific methodology and am happ...