Australian/New Zealand Luthiers Forum

The acacia top looks great, I never thought to use a flush cut saw like you did on the purflings. This will be a fun guitar build to watch.

Thanks guys! ... I shall certainly try your technique. Dave make sure you check out Greven's description as well. http://www.grevenguitars.com/retopping-demo.html the source I used for the process. Today I handed the guitar off to the young guitarist who had me build it. He was thrilled, he may perf...

... I think my main focus with this guitar is that the back be as "live" and resonant as I can make it. What are some hallmarks of a truly live back? Higher dB on the T(1,1)3? Thanks again for all the help! Chris To me it is the way it couples with the top also I get a much more complex final tap s...

I am with Martin, I would not touch anything now until you see where you are at with the guitar strung up. On my classical guitars the top resonance goes up a bit when I glue on the bridge and down a bit when I string up the guitar, so not a big change from the point you are at. On my steel strings ...

Thank you for the previous kind comments I am FINALLY ready to deliver this guitar Saturday. I finished the top with post catalyzed Royal Lac sprayed on top of a shellac wash coat. I originally French Polished with an amber shellac hoping to give the instrument an older feel to it but I hated the co...

John, I am assuming you're going for a live back because you're computing a target panel thickness. Check what the back panel mass will turn out to be and then compare that with other live back guitars you have made. I'm suspecting that the pernambuco might be too dense and therefore have too low a...

Thanks Simon, those posts were really helpful as I like the way Jim laid out the three piece back.

I am making a new classical guitar with pernambuco sent to me by my client. I have never used it before. I need to make a three piece back as you can see in the picture. pernambuco.jpg I tap tested the wood as I was getting very clean tap tones. I have not tried it on this narrow of a piece. I could...

I built a falcate braced 14 fret to the body Martinish 00 on commission. The owner loves the sound and has recently bought a falcate brace classical guitar of mine as well. I like the the deep or more full bass sounds that I get from 12 fret joins. I tried to talk him into the 12 fret but all of his...

John, That looks great! How were you able to drop the main air that low? I'm primarily building with a Hauser plantilla and my air resonance is usually around 102 HZ and I would like to drop it some. Looking at Trevor's sensitivity analysis it looks like sound hole diameter and back stiffness are m...

As always nice looking work John. As always I am interested in the falcate bracing. You presumably beefed it up a bit for the extra strings so I wonder what height you ended up with? I wonder if you have had time yet to look at resonant frequencies, and perhaps particularly with this one, the bridg...

Thanks Mark, The neck wood is mahogany, I think the light hit it funny in the picture. I build for a customer, but take no deposits. My thoughts are I will try and if I succeed and they still like it they can buy it. If not well it was just like a private build. It has been awhile but she is all str...

I am ready to start cleanup and finish prep on this Bocote\Lutz spruce 8 string crossover commision. The 2 extra strings will be bass strings. I will have to play to see how low to go. The player would like to go down in fourths from the low E. I know I can make the 7th string a D and the 8 string a...

I am not sure it is Q, but when I took a voicing class from Jeffery Elliott a Portland Oregon classical guitar builder, he taught that he consistently thicknesses all of his top spruce panels for evaluation. Then on tapping he wanted to hear it ring for 5 seconds. It seems like the sustain would be ...

Nice work on this guitar. It was interesting to see it built on a work board instead of an outside mold.

I was feeling groovy, All and all it was a easier process. When I carved away parts of the braces I found no gap between the brace and the CF or the CF and the top.

On my latest guitar I am slotting the bottom of the falcate braces for the carbon fiber. It really made the glue up process go a lot better for me. At the Guild of American Luthier auction I bought a router base\table called the Otter by the maker of Luthiers friend. http://www.luthiersfriend.com/aO...

Too much room noise

I tried again this time with the mic a AKG C1000S, about 250 mm away pointing at the 12th fret

https://soundcloud.com/johnparchem/gore ... take-two-3

here is the Martin 00 sized falcate through the K&K pickup.

https://soundcloud.com/johnparchem/kandk-pickup

I have been go back and forth between no masking and masking most of the bridge area and clearing to a scribed cut. Of those two options I am leaning toward mask most and cut to the line. My experience: If you mask inside 2-3 mm and after finishing you scribe the bridge outline with a sharp scalpel,...

I am about ready to ship my latest Falcate braced steel string so I thought it worthwhile to record the difference between the two falcate SS guitars that I still have: My WRC\Cocobolo Martin sized 00 and my Spruce\Koa Gore medium sized SS guitar. As an additional bonus I recorded the same tune on a...

Whoops forgot to post the final spectrum graph. Everything is not exactly where I had hoped but the guitar sounds great, my target T(1,1)2 was 180 Hz and I am at 181-182 Hz with no mass. Also nothing is right on a note (but the air is close). The back is not super responsive but it does couple. I go...

I am still a novice looking at these but here are my thoughts. If I look at the red it looks like your top and back are pitched close together with that double peak. If the peak around 220 Hz is the top resonance, it will move away from the back when the bridge is glued on; a good thing. If the back...

I finished this guitar. Falcate braced western red cedar top Cocobolo back and sides Australian blackwood bindings Brazilian Rosewood bridge and headstock veneer Post Catalyzed Royal Lac finish http://www.harvestmoonguitars.com/falcate00_12fret/fallcate00%20(468).jpg http://www.harvestmoonguitars.co...

Thank you for all of these walk throughs!

Thanks! I made some progress. Since the last post I sprayed the guitar with post catalyzed Royal Lac a hardened shellac product. While the finish was curing I laid up a Brazilian Rosewood bridge blank with two sheets of 5.7 OK 3k plain weave carbon fiber sheet. While I was at it a laid up a blank fo...