New kids on the block!

Anything that doesn't have to do with luthiery can be discussed here. Please be moderate.

Moderators: kiwigeo, Jeremy D

Post Reply
User avatar
TimS
ANZLF Approved Supplier
Posts: 210
Joined: Thu Sep 27, 2007 8:16 pm
Location: Perth, Western Australia
Contact:

New kids on the block!

Post by TimS » Thu Oct 11, 2007 8:42 am

One of the most exciting elements of identifying new tonewoods is the confirmation that I receive from luthiers who have no reason to to push my vendor barrow.

A case in point is Tiger Myrtle which has already had a string of posts in this forum. The bottom line is feadback from builders. It is the only yardstick to work with if you are trying to determine the working and acoustic merits of the tonewood. In addition as you would all know each guitar has to be evaluated as a complete unit: top, bracing pattern and size, sound hole, neck etc.

Whilst I have built with both Tiger Myrtle and Native OLive (Dorral) and found them as credible tonewood alternatives, an independent voice is preferable. Jim OLson (Olson guitars), Don Sharp (Sharpguitars), Steve Kinnaird, Hesh and Steve Patience have all worked with Tiger Myrtle over the last 18 months. They would all be a good source of information for anyone who is trying to define how to proceed with Tiger Myrtle.


Native Olive is shaping up to be a winner despite issues with supply. I currently have a good supply in board form which would produce a significant number of sets if I can work around heart shake and borer holes.

regards

Tim

Native Olive
Image


Native Olive

Image

?????????????
Image

?????????????
Image

User avatar
kiwigeo
Admin
Posts: 10587
Joined: Sat Sep 29, 2007 5:57 pm
Location: Adelaide, Sth Australia

Post by kiwigeo » Thu Oct 11, 2007 9:49 am

"Pallet Wood" just doesnt seem appropriate for one of Australia's number one Aussie Tonewood Suppliers.

How are ya going Tim?

Cheers Martin

User avatar
TimS
ANZLF Approved Supplier
Posts: 210
Joined: Thu Sep 27, 2007 8:16 pm
Location: Perth, Western Australia
Contact:

Post by TimS » Thu Oct 11, 2007 10:22 am

I didn't realise I had risen to such dizzy heights!

Tim

User avatar
TimS
ANZLF Approved Supplier
Posts: 210
Joined: Thu Sep 27, 2007 8:16 pm
Location: Perth, Western Australia
Contact:

Post by TimS » Thu Oct 11, 2007 12:37 pm

Here are two images of a Tiger Myrtle guitar that I am "finishing"!!!! The top has been french polished and the back and sides have been done with a non-yellowing lacquer called Stylewood.

regards

Tim

Image

Image

User avatar
Kim
Admin
Posts: 4376
Joined: Wed Sep 26, 2007 8:32 pm
Location: South of Perth WA

Post by Kim » Thu Oct 11, 2007 1:21 pm

TimS wrote:I didn't realise I had risen to such dizzy heights!

Tim
There ya go Tim, that is much more fitting 8)

Cheers

Kim

User avatar
matthew
Blackwood
Posts: 1190
Joined: Mon Oct 08, 2007 1:16 pm
Location: Sydney, Inner West
Contact:

Post by matthew » Thu Oct 11, 2007 1:48 pm

OK so what's image #3?? Are you trying to tell me that's double bass size?

User avatar
Dennis Leahy
Blackwood
Posts: 872
Joined: Wed Oct 10, 2007 12:32 am
Location: Duluth, MN, US
Contact:

Post by Dennis Leahy » Thu Oct 11, 2007 1:50 pm

I'm betting that's a Weissborn (sp?) guitar shape.

Dennis
Last edited by Dennis Leahy on Fri Oct 12, 2007 10:18 am, edited 1 time in total.
Another damn Yank!

User avatar
TimS
ANZLF Approved Supplier
Posts: 210
Joined: Thu Sep 27, 2007 8:16 pm
Location: Perth, Western Australia
Contact:

Post by TimS » Thu Oct 11, 2007 1:53 pm

No.3 is "Macro" Monterey Cypress grown in Tasmania and Victoria. The template is for a weissenborn.
Very resonant and suitable for tops. Often used in Flamenco guitars for back and sides. I am musing the the "macro"cupressus will work well on a weissenborn.

No.4 is Streaky Myrtle from the same myrtle as Tiger and Flame Myrtle

regards

Tim
[url]http://www.australiantonewoods.com[/url]

User avatar
Bob Connor
Admin
Posts: 3132
Joined: Mon Jul 09, 2007 9:43 pm
Location: Geelong, Australia
Contact:

Re: New kids on the block!

Post by Bob Connor » Thu Oct 11, 2007 8:18 pm

TimS wrote: Native Olive is shaping up to be a winner despite issues with supply. I currently have a good supply in board form which would produce a significant number of sets if I can work around heart shake and borer holes.
Tim

The heart shake in the set that I got from you is outside what I'd use for most guitars.

I think the worm holes are a non issue. People have no qualms about using Brazilian Rosewood full of worm holes. Just fill them with CA and sawdust and get on with the job.

I believe that Native Olive as a tonewood that will rival the best of the traditional timbers and the imperfections are just part and parcel of what the wood is, and the environment in which it grows.

Bob

User avatar
Sam Price
Blackwood
Posts: 124
Joined: Sat Sep 29, 2007 6:27 am

Post by Sam Price » Thu Oct 11, 2007 8:23 pm

The Olive is goregoous.

User avatar
Ron Wisdom
Blackwood
Posts: 420
Joined: Sat Sep 29, 2007 1:18 am
Location: Arkansas, USA

Post by Ron Wisdom » Fri Oct 12, 2007 4:10 am

kiwigeo wrote:"Pallet Wood" just doesnt seem appropriate for one of Australia's number one Aussie Tonewood Suppliers.

Cheers Martin


ONE of Australia's #1 Suppliers? How many #1 suppliers are in Australia? :D

Ron

User avatar
Serge
Blackwood
Posts: 543
Joined: Thu Sep 27, 2007 10:43 am

Post by Serge » Fri Oct 12, 2007 5:51 am

Nice guitar Tim! :cl :cl :cl
Jesus, family, friends, guitar and mandolin : D

Paul B

Post by Paul B » Fri Oct 12, 2007 8:50 am

Ron Wisdom wrote:
kiwigeo wrote:"Pallet Wood" just doesnt seem appropriate for one of Australia's number one Aussie Tonewood Suppliers.

Cheers Martin


ONE of Australia's #1 Suppliers? How many #1 suppliers are in Australia? :D

Ron
Oh, we've got heaps of 'em Ron.

Post Reply

Who is online

Users browsing this forum: No registered users and 20 guests